Event: Opening reception for Afghanistan in 4 Frames: 4 Embedded Photojournalists Take Aim at the War
Public Reception: Wednesday, February 9, 5:30 – 7:30pm
Location: Ground Floor of City Hall, 1 Dr. Carlton B. Goodlett Pl.
The San Francisco Arts Commission Gallery’s Art at City Hall is pleased to present Afghanistan in Four Frames. This groundbreaking and timely exhibition features works by four photojournalists who have embedded with various military units/forces in Afghanistan over the past five years.
In early 2010 James Lee, a San Francisco based photographer/ writer and Marine Corps veteran, traveled alongside Afghan National Security Forces (ANSF) near the border of Pakistan. His resulting photo essay, Counter-Narratives, sensitively depicts the human costs of protracted conflict and a ground-level perspective of ANSF operations far from any US military presence. Another Bay Area photojournalist, Eros Hoagland, has embedded with US troops several times, and twice with a British unit. His high contrast black and white photographs in Siege Perilous distinctly portray the stark tension between the western military presence and the local landscape and the people of Afghanistan in the Korengal Valley and Helmand Province. In Women at War, Pulitzer Prize winning photographer Lynsey Addario, based in Delhi, depicts what life is like for female US military personnel deployed to Afghanistan. Her essay illustrates women soldiers training and patrolling just like their male counterpoints, but due to religious customs, the women also perform duties that put them in the unique position of direct contact with civilian women and children. New York based Teru Kuwayama has been shooting in Afghanistan and its surrounding areas for nine years, both embedded with the US military and on his own. Using his low-tech Holga and Leica film cameras, Teru has remained focused on telling both the story of the war, and the lives it affects – both civilian and military. His images have a timeless, dreamlike quality; an aesthetic that distances the viewer from a typically crisp photojournalistic perspective, instead providing an intimate, emotional, and perhaps poetic view of the devastating effects of war.
For more information and artist bios click here.
IMAGE SLIDESHOW